April-June 2022 Archive

29 minute read

created: 16 Aug 2022; updated: 19 Sep 2022; epistemic status: log


This is an archive of some of the interesting things that I did or stumbled upon during April-June 2022. Well, that’s how it was supposed to be, but there are also lots of leftover items (the majority of the music and anime sections) from late 2019 to 2021 that I want to collect here.

Research

  • Our new quantum advantage proposal dubbed Fermion Sampling has been published in PRX Quantum.

Links

  • Pataphysics, a parody of science invented by French writer Alfred Jarry
  • Words known better by males than by females, and vice versa
  • People thought garlic and magnets are natural enemies
  • Why Rome rose to power and not other cities? Citizenship
  • Who wrote up Banach’s thesis?
  • Against survival of the prettiest (buildings)
  • The dangers of high status, low wage jobs. Why do so many writers live in Brooklyn? High status, low wage jobs select for high-status seekers. Status rewards incentivize geographic concentration, which will in turn create homogeneity. But in the end, you can’t live off something other people will do for free,

    Everyone who’s gotten their foot in the door and ridden the elevator up to their new 6th floor cubicle has been greeted with the same horrifying sight. Teeming masses, as far as the eye can see, all desperate for their job, for their identity, as a writer. So desperate they’ll do it for free. […] by night they write fiery, in-depth, shockingly well-informed features about their favorite North London soccer team, Icelandic DJ subculture, or how to get the most bang for your buck shopping at Costco. The research, the writing, the promotion, they do all of this for free.

  • How to use a personal website to enhance your ability to think and create?, Michael Nielsen

    One trouble with blogging is that people subscribe to the blog, rather than each post finding its own audience. This encourages lowest common denominator writing. In particular it creates a context in which depth is penalized […] A media form which does this better than blogs is academic journals. Although it is possible to subscribe to a journal, it’s very uncommon to expect to read a journal entire. And the reason is that the form is designed so that each article finds its own audience. For instance: the title and abstract are designed to make it super-easy to not read a paper. They say “Oh, unless you have these interests and this background, you should ignore this”. They’re sometimes described as “marketing” for papers, but really they’re better thought of as anti-marketing [emphasis mine]. In particular: they set the right expectations, and help drive away the wrong kind of reader. That’s invaluable not just for the reader, but perhaps even more for the author.

Rationality/statistics/human genetic variation

Learning algorithms and the brain

Quantum science

Music

Vtubers/Utaite

Suisei’s 4th 3D live is in my opinion a huge step up from her previous three free lives.

2:59 - in this unstable world - Yoshiko Tsushima
7:53 - U - millennium parade x Belle
11:04 - Kyoumen no Nami - YURiKA
15:37 - Kakusei - Superfly
20:18 - Ready Steady - q*Left & Giga
26:53 - Wicked - Sui-chan and Calli (New Song)
30:15 - Kisetsu wa Tsugitsugi Shindeiku - amazarashi
36:03 - Beaucoup De Bruit Pour Rien - Tokyo Jihen
39:48 - Ego Rock - 3 (Surii)
46:37 - Kakero - Hoshimachi Suisei
50:30 - Tenkyuu, Suisei wa Yoru wo Mataide - Hoshimachi Suisei
54:49 - TEMPLATE - Hoshimachi Suisei (New Song)

Songs prior to Suisei’s Phony (an arbitrary cutoff point) that I just discovered/to which I had still been listening, chronologically ordered

Singer Title Date Original Composer Note
Inui Toko RE: I AM 04.29.19 Aimer    
Shishigami Leona Neko 09.15.20 Dish    
Kaida Haru Yuurei Tokyo (Ghost City Tokyo) 10.25.20 Ayase    
Inui Toko Jigokuya Hakkyou-Arashi 11.27.20   majiko Toko’s 1st original
Kurone Yomi Last Resort 12.08.20 Ayase    
Ado Gira Gira 02.14.21   Teniwoha  
Asahina Akane Nh-Uh-Uh 05.21.21 SLAVE.V-V-R    
Deathstar* Getcha! 06.15.21 Giga, KIRA   *Mori Calliope
x Hoshimachi Suisei
Hoshimachi Suisei Shoujo Rei 07.27.21 MikitoP    
Mori Calliope End of a Life 10.01.21   Pretty Patterns  
Inui Toko Hatsukoi 10.19.21   Arte Refact Toko’s 3rd original

New songs/covers since Suisei’s Phony

Singer Title Date Original Composer Note
Hoshimachi Suisei Phony 11.26.21 Tsumiki    
Laplus Darknesss Kamippoi na (God-ish) 12.01.21 PinocchioP    
Hoshimachi Suisei x Moona Hoshinova Saikai 12.03.21 Ayase, Uru x LiSA    
Hoshimachi Suisei x Kanade Izuru x Astel Leda Cinema 12.13.21 Ayase    
Hoshimachi Suisei Palette 12.21.21 niki,Tokoyami Towa   Part of Christmas 3D live
Tokoyami Towa x Hoshimachi Suisei Hai-iro to Ao (Grey and Blue) 12.23.21 Kenshi Yonezu   Part of Christmas 3D live
Takanashi Kiara x Ninomae Ina’nis Iiya Iiya Iiya (Whatever whatever whatever) 12.23.21 Neru    
Millie Parfait Marshall Maximizer 12.23.21 Hiiragi Magnetite    
Tokoyami Towa Fact 01.03.22   niki Premiered in Towa’s 2nd anniversary live
  My Roar 01.11.22   UtsuP Premiered in Towa’s 2nd anniversary live
  Akuma 01.18.22   3 (Surii) Premiered in Towa’s 2nd anniversary live
  Born to be Real 03.12.22   ANCHOR Performed in Hololive 3rd Fes
Micomet* Animal 01.27.22 DECO*27   *Sakura Miko x Hoshimachi Suisei
Hoshimachi Suisei Lower (Lower One’s Eyes) 02.01.22 Nuyuri    
Pavolia Reine Cinderella 02.03.22 DECO*27    
Inui Toko Henshoku 02.23.22 Kashii Moimi    
Tsukuyomi Mayday 02.24.22      
Shiranui Flare Sangenshoku (RGB) 02.20.22 Yoasobi    
Hoshimachi Suisei Boku wa Hatsune Miku to Kisu wo shita 03.10.22 MikitoP    
Nekomata Okayu Yona Yona Dance 03.15.22 Akiko Wada    
Hoshimachi Suisei Template 03.31.22   Kitani Tatsuya Premiere in Suisei’s 4th live
Deathstar* Wicked 03.31.22   Giga *Mori Calliope x Hoshimachi Suisei,
Part of single Template
C-Man My Reality 04.01.22      
Minase Rio Kimi no Myaku de Odoritakatta 04.02.22 Pikon    
StartEnd* Asu no Yozora Shoukaihan 04.16.22 Orangestar   *Minato Aqua x Tokoyami Towa x Hoshimachi Suisei
Mori Calliope x Povalia Reine x Hoshimachi Suisei Beat Eater 04.22.22 Police Piccadilly    
Astel x Rika Gunjou Sanka 04.29.22 Eve    
Lazulight*
ft. Nijisanji EN
Virtual to Live 05.16.22   Nijisanji, kz *Pomu Rainpuff x Elira Pendora x Finana Ryugu,
Lazulight’s 1st anniversary
Isekaijoucho Shinkai Shoujo 05.12.22 Yuuyu    
Elira Pandora Shoujo Rei 05.16.22 MikitoP    
Ninomae Ina’nis Nai Nai 05.20.22 ReoNa    
Hoshimachi Suisei Yuurei Tokyo (Ghost City Tokyo) 05.22.22 Ayase    
Levi Elipha x Machita Chima x Inui Toko Magia 05.22.22 Kalafina   Part of Levi Elipha’s 3D live
IRyS Till the End of Me 05.22.22   HANO(Aratame Shun)  
Hoshimachi Suisei Tricologe 06.08.22 Niru Kajitsu    
Omaru Polka Empress 06.16.22 Tenoniha    
Nekomata Okayu Rinkai Diver 06.19.22 Kojiro    
Nornis* Abyssal Zone 06.23.22   Yumemi Kujira *Machita Chima x Inui Toko x Asahina Akane

Manga

  • Vinland Saga, Ch 101-161 (Vol. 15-22), Yukimura Makoto
  • Kingdom, Yasuhisa Hara
  • Blue Lock, Ch 1-95, 108-154, Kaneshiro Muneyuki
  • Chi no wadachi (A Trail of Blood), Ch 1-28, 74-122, Oshimi Shuuzou [reddit comment]

    Oshimi Shuzo seems to have had a very complicated childhood due to his mother (which is why he always write women as antagonists in his works, although nuanced and mysterious ones). He seems to have found his path, so maybe Sei’s life will reflect this.

    My source is this review of the manga by a French newspaper. I translated the relevant comments shared by the author to the reviewer.

"For me teenage years are not a sweet memory of a bygone era. They're a knot of issues still tightly bound deep in my heart. [...] I feel afraid every time I try to confront it. Yet, hidden beyond the pain is a a sort of sexual tension. I hope that through my stories my readers can rediscover this hidden part of their selves."

"I think that the women I met so far are the ones who shaped my taste for a certain type of female character. I've always been afraid of women [...] Not of real women, but of how I picture them. The shadow of my mother looms over them. All the while, I hate my own masculinity, it feels dirty to me. Deep inside I hope that I'll be able to overcome these ideas, win over my fears, free myself from my mother and form a relationship with a woman."

Shuzo Oshimi finds inspiration in the feelings and experiences that he went through as a bored teenager in a small locality of the Gunma prefecture, right in the center of Japan. He even gave Seiichi his own birthdate. In middle school during the 90s, the author discovers and falls in love with the salacious writings of Baudelaire as well as the Marquis de Sade. "What attracts me is the possibility of externalizing emotions whose existence could only be revealed through a relationship of submission."

Shuzo Oshimi had yet to attack the mother figure in his work, at least as forcefully. "I realized that the dilemmas I feel in the relationship with my mother are behind one of the fundamental themes that I've been haunted with. This is why I decided to put it at the core of the manga."

Anime

Video Game

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